early morning: the spring {a poem}

Early Morning: The Spring

In the early morning, I rise
from my bed by the window,
flannel sheets with orange flowers,
my winter set I have yet to change.

There are sometimes flowers
on the the bedside table.
There are pens and cards for writing,
and always books.

The window look out
over the garage,
and always up
into the first hint-of-day sky.

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Whenever I can, I listen to Garrison Keillor's Writer's Almanac podcast, and by that I mean: when I remember to plug in my iPod and let it download all the recent episodes, I'm more likely to actually listen to the thing.

I caught up on the Almanac, as I've never called it until right now, last Friday when I took little pug on a long walk in the early spring. Every day, Garrison reads a poem, and in his voice is everything good and relatable about poetry.

Listening to him read is like being wrapped in a blanket by the fireplace. It's like the first crocus of spring, and it's like the first snowfall. When he reads poetry, you remember why we write poems in the first place: to get across a feeling, an emotion, a thought, an idea. We write them to relate to each other, and when Garrison reads poetry, I feel like all is right with the world.

During my podcast blitz on Friday, Garrison read a poem called "Morning" by Frederick Smock. {You can read it here on the Writer's Almanac site.}

And something in the three short stanzas that described a very normal morning inspired me. It made me think about what I love so much about the morning and why I always smile when I say I'm a morning person: It really is my best time of day.

So I wrote a poem in homage to that Frederick Smock "Morning," and there it is up above. I took him one better and made it about the early morning {I'm so competitive}—specifically, the early morning during spring since that's what I wake up to every day right now.

You should maybe scroll back up and read it again in your best Garrison Keillor voice. That is, by the way, the voice I hear in my head when I read my own poetry. He makes it sound so much more monumental, of course, when really all I'm doing is trying to get across a feeling.